Posts Tagged With: Books

Passion (by any definition) wins over gatekeepers & readers

Literary agents, editors, producers, and readers look for “passion” in writing.

Agents rejecting a submission often say, “I just wasn’t passionate enough about your material.”

Solution? Take “passion” seriously. It means having a deep respect for something or someone, and also writing and storytelling.

Passion is evident from page one onward in bestsellers such as The Thursday Murder Club by Richard Osman, or James by Percival Everett, or in nonfiction such as Braiding Sweetgrass, by Robin Wall Kimmerer.

Many authors in your favorite genre write with true passion. What sets them apart? Vigor!

“Vigor” occurs by working on one more draft, whether it’s Draft 2 or 10. Vigor in verb choices, better action, and more meaningful dialogue and characterizations win over readers and agents every time.

Vigor means the author is vigorous in weeding out mistakes. No matter how skilled you are, it’s wise to hire a line editor before sending material into the world and especially before publishing it yourself.

Sloppiness cancels out vigor and passion.

The dictionary notes passion can be an “extravagant or strong fondness or enthusiasm for anything.”

How and why might we be enthused about your characters on page one? What’s fresh? And authentic? If your opener is ordinary or derivative of other books, change it and find your voice. Be you. Dredge into your own experiences, your childhood, your schooling or travels, or go exploring now and enjoy research.

Passion has its own type of special effects. A character’s personality must come through instantly.

Passion shows a character’s conviction about something but this is NOT about preaching, which can kill a manuscript.

We like characters that believe strongly in something or someone, even if they are wrong at first. Passion—however misguided—makes them interesting and sets up a mystery or at least a big quandary.

For an easy page-one rewrite, answer this:  What is it YOU (in memoir) or CHARACTER (in a novel) believe in strongly? Don’t save truths for the big middle blowup or the end. Passion makes us pay attention. Be evocative or provocative. Surprise us. (For examples read the opening pages of the books I mentioned.)

Another passion exercise:  Add a talent or expand your character’s talent.

Readers are interested in skills and talents or the lack thereof because we relate. The more relatable, the easier your sale. Let’s say your character never played guitar in your first draft. You never played guitar. Do a little research. Now have your character grousing on page one about their guitar lesson. How would that change things? A reader or agent will pay attention to your fresh, honest stuff.

It’s always fun in early pages to mess with a simple passion. Push it. Write outside your usual “box” or “lane.” Does your character love plants to excess? Have a neighbor’s dog break in and ruin them all, preferably within the first three pages. The literary agent will likely continue reading.

Can a passion turn into an obsession for a character? Yes. A positive can turn into a negative, depending on type of character and conditions. In general, “passion” is positive while obsession is more negative. But a character can be passionate about one thing and obsessed by another and still be loved, funny, strong or whatever you make them. Try the combo!

If writing with “passion” feels awkward, try starting with “enthusiasm.” Enthusiastic characters are more willing to act and speak with passion.

Passion will elevate your writing in an instant. Get passionate.

Categories: Quick and Easy Writing Fixes, Uncategorized | Tags: , , , , | Leave a comment

Quick Fix:  Humor—that little “Extra” for the sale

A touch of humor sells a novel or memoir, even when you are writing about the most serious of topics or in a serious genre. 

Humor provides a moment of relief. Humor is memorable. It resonates with us long after we’ve finished a novel, memoir, or watched a movie. 

Every Writer Has What It Takes To Be Humorous.

Humor draws on our backgrounds, our cultural understandings, our knowledge of history and facts. Humor is also often just about being honest. And being brave enough to try it.

Have you had lackluster or no response from agents or readers to your manuscript? Humor can save your project and it’s simple to learn and use.

I encourage you to find a way to put humor on your opening page or certainly by page 2. Here are ways to do that:

Try the “Rule of 3” from Comedy.

A list of three things should end with something surprising or different. That’s the “punch-line effect.”

Example:  “Charley loved dogs, cats, and alligators.” If you put the “unexpected” as the third item it allows for humor AND resonance with readers. You can then continue writing about Charley in a surprising way, or not. No matter what, your readers are now intrigued.

Perhaps you are writing a serious thriller. You say humor seems an odd choice for page one or two. That choice is not odd at all. Let’s say this is on page one of a suspense book about a thief: 

“Charley felt he was ordinary. He hated his job as a financial adviser, enjoyed a cranberry cocktail after office hours while he polished his weapon, and collected cookbooks he stole from historical libraries.”

Charley feels he’s ordinary but we know he’s not. Why is he collecting cookbooks? There’s the 1-2-3 momentum on page 1 or 2! Readers—who might be an editor, agent, or reviewer—will be intrigued and read on.

Let’s Explore Two Other Easy Humor Techniques.

Go back to the alligator guy. Your next sentences might be these:

Charley Smith was a Wall Street banker of golden reputation with a problem—his pet alligator had outgrown Charley’s penthouse. Alligators in the Excellent Tower were illegal, and harboring such animals would doom his reputation. Charley loved Ansel the alligator but lately Ansel had been eyeing the dog and cat as if they were a French dish just waiting to be served with croissants and Champagne.

That passage illustrates these tricks that create humor:  EXAGGERATION and a PERSONAL CONNECTION/IMPRESSION.

I gave the alligator a name for a more personal connection for readers, and brought in a comparison to French dining for a bit of exaggeration. If you had only said “Charley had an alligator in his penthouse,” that falls flat and misses the opportunities for humor.

Have you noticed, too, how bringing in these tricks “loads” your page with more storytelling weight? In short order, we feel 1) ATTITUDE, and 2) your STYLE, and 3) a sense of A WRITER BEING IN COMMAND of their prose and ability. Editors, agents, publishers, reviewers, and readers like those things.

There are many, many other tricks for creating humor.

Good how-to books on how to create humor include The Comic Toolbox by John Vorhaus.

Categories: Quick and Easy Writing Fixes | Tags: , , , , | 1 Comment

Invigorate or revise a plot with the character’s “plan”

Is something’s wrong with your manuscript but you can’t put your finger on it?

You’ve done everything. Solid plot. Interesting characters. Each scene has “goal/conflict/cliffhanger.” Stellar setting. Details fascinate your critique group. Yet, publishers or agents lack enthusiasm. They might even say your writing is competent and interesting but they pass! So what’s the problem?

Often, I find writers miss something mighty simple:  “the plan.”

Not your plan as a writer. Your character’s plan!

How does your character THINK?

Frontline characters need to operate by hatching plans constantly and using those plans.

A big enough story to fill a book, a script, or a memoir involves layers of plans.

A “plan” means a character cares enough to worry, think, fear something, want something, and they are willing to put forth effort to PLAN to get it.

Characters conjure many plans during a story, never just one plan.

The big plan could be the plotline, such as how to commit the biggest heist in history, or your character has to tell somebody they love them by the end of the story. But…

Novel pages are nests for the hatching of many small plans that entertain readers.

To reach the end of any plot, your characters must have a series of plans. They voice plans in their head, through dialogue, and certainly through action.

Let your character think about “Step one, step two, step three that I need to do.” Let them fear some steps, change some steps, mess up their plan.

Novels such as A MAN CALLED OVE by Fredrik Backman (mainstream fiction) and THE LEMON MAN by Keith Bruton (comic gritty suspense) prove the point. Each protagonist creates one plan after another; they often backfire; at all times the plans propel the protagonist forward to the next phase of his plot (and growth).

By the way, effective romance novels, horror stories, fantasy, YA novels—or any genre or type you read or write in—will have stellar standouts with a plan always operating to make things interesting.

We read partially to see if the plan even works. There lies the tension that makes reading a sublime activity.

Look again at your opening pages of each scene and each chapter opener.

Does your character express they need a plan? Are they in the middle of a plan—and more importantly, does the reader know that? If you’re at a loss as to how to do this, have them think in words such as “I need to get/do X, but that will mean I need this and that. It might also mean I’ll get busted/fail.”

Have the character need to do at least two steps next. Why two? Because taking two steps propels your character AND THE READERS (who might be agents/publishers) forward. 

Readers like “plans.” We love being “in on the plan.”  

Let a plan backfire now and then, too, as happens in all good stories. Obstacles should abound.

Finally, a plan is almost always physical, too. How does your character think ahead? Do they write things down? Do they mumble their plans to their plants? Dog? Friend? Do they go out and buy stuff for the plan? Do they visit a psychic or a priest? Do they bulk up their muscles over months of time? Etc.

Plans = pacing, plot, and sales.

Creating plans on most pages is a simple quick fix.

Categories: Quick and Easy Writing Fixes | Tags: , , , , | 4 Comments

NEW e-book re-issues of my novella series set in Northern Wisconsin!

  • When Rudolph Was Kidnapped
  • Misbehavin’ in Moonstone
  • Mrs. Claus and the Moonstone Murders

 

 

Categories: Books | Tags: | Leave a comment

Create a free website or blog at WordPress.com.